e-limbo, e-zine de informacion y analasis de modos de vida actual
 
16.05.2008 / Sesión no Iniciada 
_NEGOCIOS

 _enviar articulo

e-mail emisor
e-mail receptor
Ayúdanos a evitar contactos automáticos
Anti Spam
Texto
 

En estos tiempos de hipercomunicación bastaría la invitación de enviar a un amigo cualquiera de los textos que consideres interesantes algo redundante: demasiada comunicación, demasiados textos y , en general, demasiado de todo.
Es posible que estemos de acuerdo... pero cuando encuentras algo interesante en cualquier sitio, la red, la calle, tu casa, o un lugar escondido y remoto, compartirlo no sólo es un acto (acción, hecho) de amistad o altruismo, también es una manera de ahorrar tiempo a los demás (y de que te lo ahorren a ti (si eres afortunado) a costa del tiempo que tu has podido derrochar (emplear) y el gustazo de mostrar que estuviste ahí (o donde fuera ) un poco antes (el tiempo ya no es más el que era).
Comparte con tus conocidos aquello que encuentras, es evolución.
Sorry, I'm Not Buying This New Touchy-Feely Approach To The Music Tax
13-04-08 Suggested by: Terry & The Pirates 

 

Ethan Kaplan writes a beautiful tribute to the value of music, and how we as a society must come to terms with how we will value it as the business model around recorded music continues to disintegrate.

I call BS on the whole post.

His central questions are "How do you value art?" and "How do you ensure that the value of art can translate into the notion of making a living on art?"

So far, so good. A discussion about music industry troubles, framed from the point of view of the artist. But then, a red flag: "What role does a government body play in the propagation of the meme of art creation? Support? Education? Distribution?"

I tried to keep an open mind throughout the rest of the post. Even though he's the VP Technology at Warner Bros. Records. And even though the parent company to Warner Bros. Records is currently pitching the horrendous idea of a music tax to replace lost music label revenues.

But all Kaplan has done is take the arguments that his boss made a couple of weeks ago and repackaged them in touchy-feely "what about the children artist?" language. He's proposing the removal of market forces in the music industry, since those forces no longer work in favor of the company he works for.

"The concept of art is fundamental to our identity as humans," he says, and "the worst to the best music is art without any regard to its inherent quality." This is a setup for a big group hug among musicians; a sort of revolutionary cry for brotherhood against…well, against everyone else. He adds that we must find a way to "remove the fear-politics and the pro-ignorance in the US society" which, presumably, is the direct cause of a decline in revenue at Warner Bros. Records. I mean, the decline of valuing the artist as a human being.

Lets not frame the debate around "monetary models around digital music" he suggests. Instead, let's "step back to the root and evaluate as a society the place of Art within it."

How do we do that? Government support of musicians.

Within Europe, it is actually pretty easy (relatively) to make a living as an artist, depending on the country. I have friends in certain countries who are Artists by trade, supported through government programs. Canada supports art through liberal granting. In those areas, the value of the artifact of art is less of a concern than the value of the process of creating. And the same does and should apply to music as a form of art…It's my opinion that before we start down the path of "how do you value digital artifacts" and "how do you value music," we also need to evaluate how we as a society value art. How do we as a government, a democratic society support artists to the point where the value of experience is enough to support the act of creation?

Strip away all the flowery language and what you have is a music industry executive calling for the "pro-ignorance" US society to value music as art no matter whether it's the "worst" or the "best." He talks about how great European artists have it with government subsidies. And he's doing it weeks after his boss called for a music tax.

Like I said, I call BS.



Via TECHCRUNCH




Pendiente de Licencia / ... del autor o autores. 
Pendiente de Licencia / ... del autor o autores.
   
 

Rating: 1 - 1 voto(s).

   
_COMENTARIOS
No existen comentarios.
Comentario / Comment:
  atención: para realizar comentarios tienes que ser usuario registrado.
        

_Servicios

test
Regístrate y disfruta de utilidades de administración y gestión de los contenidos de e-limbo*
Recibe las novedades en tu correo electronico.
El futuro está escrito en las estrellas... Horóscopo creado por J.G. Ballard y dedicado a todos vosotros.
Registrate y activa tu bitácora personal. Tu limbo singular en este multiverso de contenidos.
Aplicaciones y herramientas necesarias para navegar y utilizar los contenidos del limbo electrónico e internet (www).
Artículos de e-limbo* en formato PDF preparados para viajar y aportar información allá donde estés. (y seguir salvando árboles)
Empieza la mañana con un buen desayuno de noticias vía sindicación de los principales medios de comunicación seleccionados por e-limbo*

_e-limbo * apoya

test

_Multimedia

_AUDIO >
Apresentando para vocês o selo de meu amigo Dave Marsalek, IZM Records, nascido em 2005,como eles ...
_PODCAST >
Compartir la cultura es aprender a vivir juntos. En esta perspectiva, hemos decidido unir nuestros ...
_VIDEO >
Derribos Arias fue un producto de la creatividad de Poch (Ignacio Gasca, †1998), una persona ...
Optimizado: Firefox, Safari, Mozilla, Netscape, Konqueror, Explorer. Resolución óptima: 1024x768
ISSN: 1885-5229    Aviso Legal e-limbo.com*