At least that's what the London glitterazzi are saying, on the streets, in the clubs, in the Business. But the glitterazzi turn out to be wrong and Billy Byrne is all over in a split second. His world detonates. His self-esteem splinters. Suddenly he's on a rollercoaster ride into the London underworld - a dangerous land of murderers, thieves and talent agents.

Review
The storyline of Last Minute is what happens, but its' not by any means what this film is about. Writer-director Steven Norrington (Blade) brings a phenomenal amount of action to a dangerously literate script with this one-of-a-kind combination of Trainspotting and Blue Velvet. The film employs a vivid visual style — not unlike that of Terry Gilliam's wondrous excesses — and sly, off-kilter dialogue with David Lynch-ian overtones. Max Beesley gives a star-making performance as a pop icon descending into personal Hell, but Jason Isaacs mobster, who sings Percy Sledge love ballads during his violent, bloody sprees, and the other secondary characters are equally unforgettable. Music by electronic bands, including Aphex Twin, adds power to the visuals. And yes, there is a message amid the madness. Pay attention. - Buzz McClain, All Movie Guide

Synopsis
In between the big-budget Blade and The League of Extraordinary Gentlemen, British filmmaker Stephen Norrington directs the straight-to-video crime drama The Last Minute. Told in flashback, the story follows the rise and fall of Billy Byrne (Max Beesley). With a determined goal to be famous, he lands his first big show with the help of his slick agent, Walsh (Anthony Higgins). Fame comes quickly as he travels the globe and gets invited to hip clubs, becoming the darling of the London art scene. Due to his excessive, self-centered behavior, his girlfriend Janey (Kate Ashfield) leaves him. His fame fades away and he falls into a life of crime, drugs, and gangsters led by Grimshanks (Tom Bell), where he meets Anna (Emily Corrie). - Andrea LeVasseur, All Movie Guide.

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